1/13/2024 0 Comments Tu me liberasSolo Quartet and Chorus: Lacrymosa dies illa, qua resurget ex favilla, judicandus homo reus. Chorus: Dies irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla. Oro supplex et acclinis, cor contritum quasi cinis: gere curam mei finis. Bass and Chorus: Confutatis maledictis, flammis acribus addictis, voca me cum benedictis. Inter oves locum praesta, et ab haedis me sequestra, statuens in parte dextra. Preces meae non sunt digne, sed tu, bonus, fac benigne, ne perenni cremer igne. Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti. Tenor: Ingemisco tamquam reus, culpa rubet vultus meus supplicanti parce, Deus. Juste judex ultionis: donum fac remissionis ante diem rationis. Quaerens me, sedisti lassus redemisti crucem pacem: tantus labor non sit causas. Soprano and Mezzo-soprano: Recordare, Jesu pie, quod sum causa tuae viae: ne me perdas illa die. Soprano, Mezzo-soprano and Tenor: Quid sum miser tunc dicturus? Quem patronum rogaturus, cum vix justus sit securus? Solo Quartet and Chorus: Rex tremendae majestatis, qui salvandos salvas gratis: salva me, fons pietas. Dies irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla. Judex ergo cum sedebit, quidquid latet apparebit: nil inultum remanebit. Mezzo-soprano and Chorus: Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur. Bass: Mors stupebit et natura, cum resurget creatura, judicanti responsura. Quantus tremor est futurus, quando judex est venturus, cuncta stricte discussurus! Tuba mirum spargens sonum, per sepulcra regionem, coget omnes ante thronum. II Dies irae Chorus: Dies irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla. Quartet and Chorus: Lord, have mercy upon us. Hear my prayer: all earthly flesh will come to you. A hymn in Zion befits you, O God, and a debt will be paid to you in Jerusalem. I Introit and Kyrie Chorus: Grant them eternal rest, O Lord and may perpetual light shine upon them. Exaudi orationem meam: ad te omnis caro veniet. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. I Introit and Kyrie Chorus: Requiem aeternam dona eis, Domine et lux perpetua luceat eis. Verdi's Requiem - The best recordings.Without the addition of the extra word, the translator would not have made the mistake that eventually leads to a crucial part of the film's building of terror and suspense. It makes the line sound more dramatic, even if it is slightly redundant, and allows for the confusion at the beginning of the discovery. However, the " tutemet" acts as an emphatic word to accentuate the "yourself" part of the sentence. The phrase could have actually been shortened to " Libera te ex inferis," which can be translated the same way the full phrase in the film is. However, the revelation of the full phrase reveals that the crew is in mortal danger, amping up the tension by hinting that the ship opened a portal in space to a hell dimension. At first, the message is interpreted as " Libera te me," a command to anyone picking up the distress signal to "save me," which spurs the crew of the rescue ship to investigate further. The captain of the Event Horizonsigns off his logs with a Latin phrase, but none are as ominous as the one he utters amidst the tortured screams on the recording discovered by the main characters. The Latin is thus a way of furthering this symbolism, letting the audience know that the purity of the ship has been corrupted by an evil, outside entity. Perhaps the most explicit piece of set design is the room's glass window in the shape of a cross, resembling both a crucifix and the stained-glass of a Gothic cathedral. There are long, spacious corridors with curved, column-like walls that make the ship's walkways feel like a nave, and the main control room where the crew's log is found is like an altar complete with a podium in the middle. The exterior of the Event Horizon ship itself is modeled after the Notre-Dame, while the interior architecture mimics a church. There are multiple instances of religious imagery and references throughout the film. Related: Event Horizon's Deleted (& Missing) Footage Explained Anderson helps to bridge the gap between these two types of terror. The use of Latin is one of the myriad ways in which director Paul W. However, Event Horizon occupies a unique space in culture as one of the only films to combine this type of satanic subgenre with cosmic horror. From Reagan's menacing growls in The Exorcist to the iconic "Ave Satani" theme from The Omen, the ancient language of the Catholic Church has been used in horror movies so many times that it has become an exorcism movie trope. Latin is a popular choice of horror filmmakers to add a dose of foreboding to their tales of demonic possession.
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